Movie Review: Nanu Ki Jaanu
The achievement of GOLMAAL AGAIN has demonstrated that loathsomeness comedies have monstrous potential in India. Presently Faraz Haider, who last influenced a war parody To war CHOD NA YAAR [2013] endeavors with this type combination in NANU KI JAANU. So does NANU KI JAANU follow in the strides of GOLMAAL AGAIN and give amusingness and awfulness in plentiful measurements? Or then again does it flop on both the fronts? How about we investigate
NANU KI JAANU is the narrative of a phantom that experiences passionate feelings for a hooligan. Nanu (Abhay Deol) is a little time goon who works with Dabbu (Manu Rishi Chadha). Their usual way of doing things is to lease a level and after that debilitate the landowner to move the possession in their name. One day, Nanu is returning home when he sees that Siddhi (Patralekhaa) has met with a mischance. He declines to be an observer and takes her to the healing center. Siddhi is scarcely cognizant yet she sees Nanu helping her and she succumbs to him. Lamentably, she passes away when she is gotten the healing center. Nanu gets bothered by the scene. Before long he understands that the soul of Siddhi has tailed him to his rich living arrangement in Noida. With no other alternative close by, he discovers the address of Siddhi’s dad (Rajesh Sharma) and meets him. In any case, even that doesn’t help. He at that point approaches an apparition buster (Shreya Narayan) however it winds up in a fiasco. To exacerbate the situation, Nanu loses enthusiasm for his unlawful work and therefore their wellspring of occupation is in peril. What occurs next structures whatever is left of the film.
NANU KI JAANU is a change of a Tamil film PISAASU and is composed by Mysskin. The adjustment by Manu Rishi Chadha is exceptionally poor. Manu Rishi Chadha’s screenplay is exceptionally frail and just a couple of minutes emerge.
NANU KI JAANU doesn’t have an awesome start yet one trusts in things to show signs of improvement as the film advances. The grouping where Siddhi is passing on yet is taking a gander at Nanu affectionately could have turned out badly however is taken care of well. The film has some decent minutes once the apparition begins to annoy Nanu. The scene where Dabbu gets hung topsy turvy by the soul cuts the house down. The interlude point is interesting. Be that as it may, shockingly, the film goes totally downhill in the second half. The story goes haywire. The most recent 30 minutes of the film are strange without a doubt and it will bring up issues in the matter of how the content got endorsed in any case.
Manu Rishi Chadha’s discoursed are entertaining at places however they crash and burn in numerous scenes. The discoursed get shabby in the finale. Faraz Haider’s bearing is incapable. He as of now had a frail plot close by and his poor heading further fouls up things. In the second half, he totally loses control. Indeed, even before the shockingly pitiable peak, he has done strange things like putting an exceptional pursue grouping in a sentimental melody!
Abhay Deol sleepwalks for the greater part of the part yet suits the part and is general nice. He is known to be a reasoning on-screen character and has a dependable reputation. Subsequently it comes as a jar to see him in such an awful film. Patralekhaa is shockingly scarcely there in the film, possibly for around 10 minutes. Her execution is alright. Manu Rishi Chadha is clever and gives the truly necessary cleverness remainder. Rajesh Sharma is very bona fide notwithstanding when he’s made to play out some extremely humiliating scenes. Himani Shivpuri (Nanu’s mom) is reasonable. Brijendra Kala (Mr Kumar) is decent in the introduction scene yet then scarcely has anything to do. Shreya Narayan’s scenes are a bit over the edge however entertaining yet she does well according to the characters necessity. Spandan Chaturvedi (Phantom) assumes a troublesome part effortlessly. Manoj Pahwa gets the opportunity to assume an abnormal part and is very great. Others like Gayatri (Shefalii Rana), Gurmeet Singh (Yahoo), Sameer Siddiqui (residential abuser), Adithi Kalkunthe (household abuser’s significant other), Mahendra Shrivas (kachauri dealer), Ganesh Kumar (guardian), Chirag Sethi (Con man in building anteroom), Kunickaa Sadanand (Mrs Nandi), Tarana Kaur (therapist) and Reshma Khan (Promila) are great. Sapna Choudhary is okay in the thing tune.
The music of the motion picture is forgettable. ‘Tere Thumke’ gets consideration while ‘Bhoot Aaya’ neglects to enlist affect. Different melodies like ‘Tujhe Dekhti Hai Nazar’, ‘Kali Choti’ and ‘Jai Mata Di’ are additionally poor. Dhruv Dhalla’s experience score is unnecessarily noisy.
S R Sathish Kumar’s cinematography is not all that much. Boishali Sinha’s creation configuration is acceptable. Sunil Rodrigues’ activity and Manan Ajay Sagar’s altering are alright.
All in all, NANU KI JAANU is a greatly poor show. In the cinema world, it will be a gigantic calamity.
