Movie Review: Welcome To New York
WELCOME TO NEW YORK (WTNY), coordinated by Chakri Toleti and delivered by Vashu Bhagnani’s Puja Films discharges this week alongside Luv Ranjan’s SONU KE TITU KI SWEETY. WELCOME TO NEW YORK stars Sonakshi Sinha, Diljit Dosanjh and Karan Johar in essential parts and has a whole escort of Bollywood A-listers making cameos as it is based against the scenery of IIFA Awards. The film is intended to be a parody on the Hindi film industry and the two leads Diljit and Sonakshi play underdogs who become famous in Bollywood, regardless of originating from an unassuming foundation.
The film is about a messy recuperation operator Teji (Diljit Dosanjh) who longs for being a performing artist and a ‘dhinchaak creator’ Jinal (Sonakshi Sinha) who needs to escape from her bleak life. They win a challenge and are chosen to grandstand their ability at the IIFA Awards by Sophie (Lara Dutta) who is a piece of the arranging group skewer headed by Gary (Boman Irani). Sophie deliberately chooses the ‘two failures’ Teji and Jinal so as to settle scores with her Gary, who denies her organization in the organization. The whole film should be a comic drama of blunders with both Teji and Jinal winning Bollywood clique’s hearts with their bona fide ability. What it ends up being is an entire distinctive story. In the middle of this is the primary VIP host of the show Karan Johar, who has his own arrangement of issues with the coordinator Gary. Be that as it may, in the meantime, Karan is likewise under danger of being captured by his carbon copy NY based hoodlum Arjun (Karan Johar) who needs to rebuff him for making sentimental movies. Riteish Deshmukh, who is the co-host of the show, utilizes this circumstance to his own particular narrow minded advantage. In the middle of this confusion behind the scene, IIFA grants happen in New York.
Karan Johar, in his twofold part as Karan (the executive and big boss of Dharma Productions) and Arjun (the criminal) figures out how to keep the film locks in. There is a considerable measure of self-referencing and self deprecative diversion (be it about his sexual introduction or his motion pictures) which makes you chuckle at many spots. Diljit Dosanjh as the ridiculous Teji Singh is delightful. His comic planning is immaculate. Sonakshi Sinha is lost all through the film and isn’t extremely persuading. Indeed, even a fantasy arrangement with Salman Khan does nothing to the character that is powerless. Boman Irani as the worried, snarky numbskull dealing with the occasion looks exclusively bewildered as he dances drowsily around from edge to outline. Lara Dutta tries to spare the film as she does her part in what small amount scope she has been advertised. Salman Khan, Sushant Singh Rajput, Katrina Kaif, Aditya Roy Kapur and Riteish Deshmukh ‘s cameos watch constrained and out of the synchronize.
The primary portion of the film figures out how to keep one drew in light of the fact that the essayists Dheeraj Rattan and Sara Bodinar make some enthusiasm for the lead characters after they arrive in New York and there is a sure interest about who Karan’s doppelganger is and why he needs to hurt the Dharma Productions’ big enchilada so terrible. Executive Chakri Toleti’s parody of mistakes turns out badly particularly in the second half since entire plot of the film leaves the window, because of the absence of a legitimate content.
Manager Ritesh Soni has kept the film at two hours, five minutes as opposed to influencing it significantly more to long and comprehensive. The film’s music is forgettable aside from the last move number ‘Gasp Mai Gun’. Cinematographers Neha Parti Matiyani and Santosh Thundiyil complete a normal occupation.
All in all, WELCOME TO NEW YORK seems to be an obtrusive support of IIFA with a modest bunch of interesting stiflers tossed in all over. The immaculate comic planning of Diljit Dosanjh and Karan Johar’s entertaining interpretation of himself and the business go about as the redeeming quality. In the cinema world, the motion picture will have exceptionally constrained degree.
